History is not behind us — it runs through us.
This landmark project takes its measure from the Dufuna Canoe, the world’s oldest known boat, scientifically dated to over 8,000 years ago. From that point, it traces a continuous line of creativity in the region now called Nigeria: from terracotta, ivory, and bronze to architecture, textiles, performance, and contemporary design.
Presented as a monumental 750-page volume — with future adaptations into multiple formats — the work assembles, for the first time, the full spectrum of Nigeria’s traditions in Art and Culture: Nok terracottas, Igbo-Ukwu bronzes, the naturalism of Ife heads, the grandeur of Benin art, and the innovation of modern and contemporary artists.
This initiative builds on the success of The Benin Monarchy: An Anthology of Benin History (The Benin Red Book), created and edited by Oriiz U. Onuwaje, which brought together global scholars and leaders to reframe the story of one of Africa’s most important royal dynasties. That work, acclaimed by institutions and presented to international dignitaries, established a benchmark for scholarship and design. A Window into the Soul of a People extends this vision on a national scale, telling the larger story of Art in Nigeria.
More than a book, A Window into the Soul of a People is a platform. It positions Nigeria’s creativity at the centre of global heritage and innovation, demonstrating that art is not only aesthetic but also archive, memory, and identity. The project underscores Nigeria’s role as the most influential Black nation in the world, showing how Art in Nigeria have always shaped — and continue to shape — the global imagination.
Developed with leading scholars, curators, and institutions, this initiative seeks to preserve, reframe, and project Nigeria’s heritage for local and international audiences. It is conceived as a bridge: linking government, museums, collectors, and creative communities in Nigeria and abroad.
Ultimately, A Window into the Soul of a People is an invitation. An invitation to witness, to learn, and to partner in re-telling the story of Art in Nigeria — not as fragmented chapters, but as one unbroken thread of human ingenuity.